Best Christmas Movies in the Hunt House

This year, we are replenishing our Christmas movies supply. Not everything is on Netflix and most of our favorites were on VHS tapes and we haven't had a player in years. 

So Amy invested in buying DVDs of her favorites. Some are spendy, some are free for Netflix and for Amazon Prime users and some are just darn hard to find. Here's a list of our eclectic essentials for holiday viewing.

Every Year Mandatory Viewing in the Hunt House:
White Christmas
Christmas in Connecticut
Nightmare Before Christmas
Mickey's Christmas Carol

Christmas in Connecticut - Traditionally, Amy and I sit down to watch this every New Years Eve after the kids are in bed. Curled up on the couch with Amy looking at the tree and watching this black and white postwar classic. Barbara Stanwyck is perfect and the house in the country must have lived in the dreams of many couples creating a new life for each other after the war. The back and forth between Sydney Greenstreet and Cuddles Skall is as evocative of Christmas as gingerbread cookies to me. 

I love these postwar movies. There is a sense of hope for the future, while everyone is making do as best the can. White Christmas falls into this category of course. It is free on Netflix and one of the best Christmas movies of all time - if for no other reason than Bing Crosby singing "White Christmas" twice. So does Miracle on 34th Street, which we don't watch every year. Here too, the theme is adjusting after the war - loss and hope. It goes without saying for this and other movies mentioned, that the remake is no where near as good as the original. 

Holiday Affair, staring Robert Mitchum  and Janet Leigh also deals with Americans coming to grips with loss after the war, while trying to have hope for the future. It's a neat little movie about a war widow and ex-GI with a toy train running through it. Robert Mitchum is one of my favorite actors. 
I'm not a huge It's a Wonderful Life fan, but I do like Jimmy Stewart in The Shop Around the Corner

As for the modern Christmas Movies, here's our list:

Nightmare Before Christmas - not sure if this is a Halloween movie or Christmas movie, but we watch it early and often. It's a movie that is culturally influential far beyond the holidays. We find ourselves singing Danny Elfman's wonderful songs all year 'round. That said, Halloween Town is an acquired taste and not for everybody. 
Love Actually - Some love it, some hate it. It's a grown up movie that doesn't sugar coat the jagged edges of loving relationships, yet is still funny and hopeful. You'll cry, which makes laughing so much better. Not for kids. 
Christmas Vacation - Brutal funny family Christmas classic that you can watch after all the family has gone home and the kids are in bed. 
Mickey's Christmas Carol - Amy's favorite. Expensive on DVD, but worth it. The kids were watching it this morning. 
The Muppet Christmas Carol - My favorite version of the Dickens classic, and one of the best in the Muppet movie cannon. 
Emmit Otter's Jug Band - Speaking of muppets. The girls claim they don't like this movie, but I love it and they watch it with me.
The Santa Clause - Tim Allen is great, which is good because he has to carry the whole movie. This scene in particular gets quoted around the Hunt house all the time.
Scrooged - Bill Murray, Carol Kane, Karen Allen Bobcat and Goldthwait doing a modern TV Executive version of Dickens. Awesome. Think Ghostbuster's Christmas and you get the idea. And Mary Lou Retton
The Polar Express - This movie kind of creeps me out - Uncanny Valley and all that. Let's face it, that's a lot of Tom Hanks. Still the songs and train ride are a blast. This one gets watched a lot on our house. 

Rare Exports - Finnish movie where "the real Santa" is dug up and children start disappearing. I don't think this one is for the kids just yet, but Amy and I loved it. Dark comedy and a lot of suspense. 
Arthur Christmas - originally I had no interest in this movie because I associated it with that weird TV cartoon with the rabbits living in the suburbs that the kids used to watch. It's not. It's English and from the creators of Wallace and Grommit  it's fun and Grand Santa is hilarious. Get and watch it. It's a blast. 
Rise of the Guardians - William Joyce has created THE coolest Santa ever. It's fun, brilliantly animated and designed and just fun to watch. 

TV
Charlie Brown Christmas - Nothing needs to be said here about this, other than I listen to Vince Guaraldi's soundtrack all the time - not just at Christmas. Yet driving over to midnight mass listening to "Christmastime is Here in the snow, with the lights of Astoria is one of my favorite moments on this planet. 
Anything by Rankin and Bass (Rudolf, Little Drummer Boy, The Year Without a Santa Clause and Santa Clause is Coming to Town are my favorites.)
How the Grinch Stole Christmas (not the remake movie. Ick.) 
Santa vs the Snowmen - Weird, crudely animated, still like it. 
Prep and Landing - An Elf gets passed over for a promotion. Doesn't sound like a good plot for a Christmas special, does it? This is clearly one of the best of the recent Christmas TV specials all the same. 

Audio
A Christmas Carol performed by Patrick Stewart. - Dickens' original words are too good to allow the distraction of a movie. Listen instead. Stewart is brilliant. 

These aren't for everyone, and I'm open to suggestions of anything I may have missed. Merry Christmas!

Carrying The Old Woman

Today I was thinking of a variation of an old zen story. 

In the story, two traveling monks reached a river where they met a woman. The woman was wealthy and had porters for her litter, but the porters were afraid to cross the river carrying their mistress. The woman was bitter and cursed the servants. When she saw the two monks, she angrily demanded that they carry her to the other side. 

The young monk hesitated, uneager to help someone who appeared so spiteful, yet the old monk silently picked her up onto his shoulders, transported her across the water, and put her down on the other bank. She did not thank him. Instead she continued to spit venom at the monk, complaining and cursing as he walked away. 
.
As the monks continued on their journey, the young monk was brooding and preoccupied. 

Unable to hold his silence, he spoke out.
"That woman was cruel, and when you helped her, she offered you no gratitude. Instead she cursed you. You should not let her treat you that way."
"Brother," the second monk replied, "I set her down on the other side, while you are still carrying her."

I learned long ago that the way people treat you has little to do with your actions or your value as a human being. Our ego, constantly insists that we deserve respect. So much so, that we think this is the calculation of our worth. 

What I have found in my two careers as a journalist and as a nurse is quite different:

People will yell at you whether you do the right thing or the wrong thing.
People will resent you whether you tell them the truth or a lie.
People will treat you cruelly whether you help them or harm them.

Thus, if their treatment of you is independent of your actions, you should not let their attitude dictate how you proceed in the world. Particularly in nursing, people come into our care with a lifetime of emotional pain that we cannot expect to repair in our short encounter with them. Some live lives so fettered by darkness that they develop antibodies to kindness and light. 

People so often treat the world based on their pain and their ego, not on the human being in front of them. So we should not let their behavior dictate ours. Nor should we take personally the condition of their soul. They may have been broken long before you encountered them and they likely will be broken when you walk away. 

In the meantime, you do what is right, because it is right not because of expected praise or gain. The elder monk did not expect kindness from the rich old woman, nor did he let it bother him. 

We should help, we should be kind, we should tell the truth, we should do the right thing not in some expectation of reward, but rather, because it is the right thing. 

It is OUR actions that define us. Because we are kind, because we are truthful, we do not allow others to germinate unkindness, mendacity or cruelty within us. 

It is easy to allow mistreatment to fester in us, to claw at our awareness such that we do not see everything good around us. Resentment is a handicap to living. 

Ed's Note: The version of this story is from Zen Shorts a book by John J. Muth. The original story referred to a religious prohibition of monks touching women. Muth's version is much more helpful and the book is wonderful. 

Tinker's Lament

If I have one sin
I like to take it apart
Put it back together again
I could buy shiny an new
But I'd rather have rust
and a dent or two

I can't leave it alone
Got to see how it runs
Got to get my fingers dirty
therein lies the fun

What Have I Gotten Myself Into?

"When I find myself asking what have I gotten myself into, that's when I know I'm on the right path."
My wife said this the other day while we were talking with some friends.

I often felt this way when I was in nursing school. Quitting my job and going to nursing school was a major change of course for our family. I was the sole breadwinner with an established career. I had with two other mouths to feed and another on the way.  It was an economic gamble as well as incredibly stressful event in our lives.

It was a challenge, and we need to have challenges. 

Getting in over your head is how you learn to swim, and learning to swim is how you discover that other two-thirds of the world are covered in water. Learning and doing new things is how we grow.  It is not always filled with sweetness and light. Moreover, it is by necessity less comforting that staying in your rut and on your couch. 

The biggest confrontation I faced in nursing school was one of identity. 

I was a Writer (note the capital "W") for more than a decade. My words and creativity provided my sole source of a meager income. I edited and taught other young writers how to hone their craft of reporting and writing clearly and effectively. I appearing on talk shows and live gabfests as a pundit. I was good at my job and derived egotistical pleasure from the praise I received.

Giving all that up was hard. It wasn't just a different work schedule and routine. It was a major change in who I thought I was and what I thought I was capable of accomplishing. It was a direct challenge to the stories I told about myself. I even found myself rewriting my personal history - not inventing fiction, but noticing and emphasizing events in my life that reinforced the new "who I am" story. I reached back in my life for stories to reassure me that this was a path that I should be on.  

For when we leave our comfort zones, we are often confronted with how much of who we think we are is an artificial construct. 

Throughout our lives we make up stories about who we are. Things happen and we create a shorthand explanation for the path on which we find ourselves. We are constantly asking and answering the question "how did I get here." I am someone who can't do math - and that's why I didn't become an astronaut. I went into journalism because no one would hire me to do anything else. 

 It is the simplistic story we tell others, but if repeated often enough, our story is a big part of who we are. Our identity. 

As we grow older we create our identity through stories. The labile emotions of teenagers and young adults are lives that lack such stories as anchor points. We drift. We experiment. We substitute affectation -- trends clothes, and tribes of culture. Even our addictions become entwined with how we view ourselves. Notice how often people say "I am a smoker" rather than "I smoke cigarettes." We become what we say we are - to ourselves as well as others. Eventually we gather enough things that feel right and call it our story. 

That's fine, until you throw in a plot twist. 

Changing direction is a challenge to who you think you are. 

Facing a challenge in life -- doing or learning a new thing once your story is set -- requires us to overcome the narrative inertia that has taking the dear reader along a certain path for as long as you've been alive. It is hard to starting thinking of yourself as a new person, an alternate protagonist sowing chaos amid the predictable plot points thus far established. 

Those new plot developments are often for the better. The protagonist grows and sees-feels-learns something new about themselves, and the world. 

As such, it can be frustrating, but thrilling as well.